Atholl fugard biography
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Athol Fugard is a South African playwright, novelist, and director, who often writes on the subject of South African apartheid. His works commonly feature critical investigations of South African history. In 1985, Time Magazine called Fugard "the greatest active playwright in the English-speaking world." His plays include The Cell, The Blood Knot, Hello and Goodbye, Boesman and Lena, Sizwe Banzi is Dead, The Island, The Road to Mecca, My Children! My Africa!, Sorrows and Rejoicings, The Shadow and the Hummingbird, and others. He is also known for writing the novel Tsotsi, which was adapted into an Academy Award–winning film.
Born in Middelburg, Eastern Cape, South Africa, took an early interest in the humanities. He attended University of Cape Town, where he studied Philosophy and Social Anthropology. Subsequently, Fugard dropped out of university and spent time working on a steamer ship in North Africa, before moving to Johannesburg, where he worked as a clerk in a Native Commissioners' Court. There he began to become interested in the fallout of South African apartheid, and the injustices built into its hierarchical system.
In 1958, Fugard began writing plays, many of which were critical o
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Harold Athol Fugard
Athol Fugard, born Harold Athol Lanigan Fugard in the remote village of Middleburg on 11 June 1932, grew up in Port Elizabeth. His father was Afrikaner and his mother English-speaking.
Fugard enrolled at the University of Cape Town but did not finish his studies, dropping out to travel in Africa and the world. He found work on a ship, and travelled around the world for two years before returning home. He found a job as a court clerk and through this was able to witness the destruction on humans by the apartheid system.
Athol Fugard started writing after a brief spell at acting. His first work in theatres was a piece called the The Rehearsal Room. Fugard wrote, acted, and directed this play which with its multiracial cast openly rejected segregation in South African theatres. This led to most of his works being banned by the government.
In 1958, Fugard produced No Good Friday. In this play Fugard shared the stage with Zakes Mokae. This play was followed by Nongogo (Prostitute) in 1959. In the 1960s, Fugard returned to Port Elizabeth where he partnered with The Serpent Players. The following year he wrote his first international success The Blood Knot. This play confronted apartheid so effectively that the government withdrew his passport.
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