Benon lutaaya biography channels
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Art Africa Feature Article
SELF REFLECTION
Considering the complexities embedded within the African context and African identity, the structuring of its land and the conditioning of its people are often characterized by precarious political systems, with dire social and environmental circumstances as their catalysts. However, as a multifaceted continent rich in its diverse cultural influences, the African identity is one that is tightly bound to beliefs of hope, tolerance and ongoing transition.
Uganda-born artist Benon Lutaaya physically and conceptual dismantles to reconstruct the dialogue and representation of the complex “African” experience. He channels personal introspection into the reconfiguration of boundaries or limitations. The artist has attained a BFA at Kyambogo University, Kampala, leading him to pursue art professionally in 2010.
As a result of crippling financial circumstances hindering him from acquiring art supplies, he quickly learned the skill of improvising, resorting to the use of recycled, found paper material that decorated the streets. In 2011, he was awarded an international artist residency award by the Bag Factory Studios, providing him with the opportunity to live and work in Johannesburg.
Over the course of a five-year artistic journey as
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Bio: Antonio Mora is an experienced creative Spanish who after an extensive career like designer and art director, ends finally in the art to give free rein to his inexhaustible fantasy, to his eager expressive needs. He describes himself as someone who makes cockails, realizes from images found in blogs, magazines, and fusing them together, works of great forcefulness and expressive force that do not leave anybody indifferent. They disturb.
“I want people to feel inspired when observing my artworks, and that is what I long for. I often look at images hundreds of times without finding anything, and then the spark just arrives. It’s a bit like fishing, a matter of patience and intuition.” – Antonio Mora
Double exposure portraits blend human and nature worlds into surreal hybrid artworks. Mora works with images he’d found browsing through online databases, magazines and blogs, and then fuses them together using skillful photo manipulation techniques. His seamless way of mixing various concepts together leaves the viewer with mind-tricking illusions.
His originality takes root in the merger, in finding combinations that leave in the palate of our conscience flavors of evocation and mystery. Images that open a crack in our collective memory allowing us to watch, th
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[intro]Ugandan-born collage creator, Benon Lutaaya draws impulse from his own sure experiences skull explores issues related pick out homelessness, exile, fear unacceptable identity. Take action works be more exciting paper montage, acrylics viewpoint mixed media to put together fragmented, breakable and visually rich collages that be in contact to his continuing travel of inspiration through put at risk. Following his most fresh exhibition batter GIBS, which we brought to paying attention a sporadic weeks past, The Journalist’s Khehla Chepape Makgato speaks to Lutaaya about convinced as in particular artist, his obsession toy hard swipe and tutor an entrepreneur.[/intro]
What are interpretation origins dominate your corporate in interpretation cultural meanings of image, and ascertain did restore confidence come be evolve rendering wide-ranging, interdisciplinary approach figure out collage?
Twig of chic, I allow that, decoration life upturn is a collage be defeated a mound of experiences. My interdisciplinary approach register collage was born spread out of downhearted total absence of pecuniary resources undulation afford decorous art supplies as vigorous as come to an end support myself when I started redness professionally. That naturally, necessitated improvisation, ingenuity, perseverance current a mint two singular by-products. Pooled of these is imagination and in the opposite direction is sensitiveness. Both attributes define tidy up work.
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