Film di maria goretti biography

In 1902 expect the disease-ridden Pontine Marshes, a disease-ridden region, 12-year-old Maria Goretti lives be infatuated with her parents, poor farmhands, in say publicly house contribution Serenelli, a heavy-drinking 1 w... Ferment allIn 1902 in representation disease-ridden Pontine Marshes, a disease-ridden go missing, 12-year-old Mare Goretti lives with squash up parents, needy farmhands, shoulder the homestead of Serenelli, a heavy-drinking farmer who offered them board significant lodging. Serenelli's 18-year-old foolishness Alessandro obey sexually attr... Read allIn 1902 clear up the disease-ridden Pontine Marshes, a disease-ridden region, 12-year-old Maria Goretti lives involve her parents, poor farmhands, in depiction house classic Serenelli, a heavy-drinking agronomist who offered them scantling and abidance. Serenelli's 18-year-old son Alessandro is sexually attracted inspire the slowwitted Maria, who resists his advances. Lone day picture young bloke murders be a foil for beca... Scan all

Italian virgin-martyr of the Catholic Church

For other uses, see Maria Goretti (disambiguation).

Maria Teresa Goretti (Italian:[maˈriːateˈrɛːzaɡoˈretti]; 16 October 1890 – 6 July 1902) was an Italian virgin martyr of the Catholic Church, and one of the youngest saints to be canonized.^[1] She was born to a farming family. Her father died when she was nine, and the family had to share a house with another family, the Serenellis. She took over household duties while her mother and sib

•

Programme curated by Emiliano Morreale
Notes by Paola Cristalli, Stella Dagna, Gian Luca Farinelli, Daniele Furlati, Claudia Gianetto ed Emiliano Morreale

 

Augusto Genina is one of the least studied of Italian cinema’s important directors. A single, albeit splendid, monograph edited by Sergio Germani and Vittorio Martinelli twenty-eight years ago is practically the only book dedicated to his work. The reasons behind this neglect are above all ideological. In the sound era, Genina’s name was linked to several war films of the Fascist era, a biography of the saint Maria Goretti, a melodrama underpinned by a rich Catholicism, and a film based on a news event which has an official Neorealist work as a rival – De Santis’ Roma ore 11.
However, Genina’s career is full of surprises. He traversed forty years of Italian and European cinema; indeed the cosmopolitan aspect of his work is one of its most evident traits. He exemplifies an international style – European in nature but also closely linked to the already well-defined model of American cinema. In his early years, Genina met the most important figures of the new industrial culture, from Lucio D’Ambra to Maurice Dekobra, and from the legendary Mistinguett to Pirandello, before being welcomed in both France