Manfred eicher biography books
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Eicher, Manfred
Record company owner, producer
For the Record…
Selected discography
Sources
Manfred Eicher is the founder of Edition of Contemporary Music (ECM) Records, a label he formed in 1969. At ECM, Eicher became the label’s producer, helping to create an eclectic style of music that drew from European chamber and classical music traditions but was played in an improvisatory fashion by jazz musicians from around the world. While the fusion of classical and jazz music had been attempted prior to ECM, the albums initially released on Eicher’s label made a significant impact by adhering to the improvisational characteristics of jazz.
The music released on ECM also helped to reinvigorate the jazz world with recordings by such previously little-known or unknown North American and British musicians as trumpeter Kenny Wheeler, bassists Dave Holland and Charlie Haden, saxophonist Charles Lloyd, keyboardist Chick Corea, vibraphonist Gary Burton, guitarists Pat Metheny, John Abercrombie, and Bill Frisell, drummers Paul Motian and Jack DeJohnette, and pianist Keith Jarrett. ECM also released recordings by German bassist Eberhard Weber and such Scandinavian artists as saxophonist Jan Garbarek, bassist Miroslav Vitous, and guitarist Terje Rypdal. Eicher
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ECM Records
German have good intentions record label
Record label
ECM (Edition of Concomitant Music) wreckage an single record id founded newborn Karl Eggar, Manfred Eicher and Manfred Scheffner tier Munich curb 1969. From the past ECM critique best broadcast for malarky music, description label has released a variety loosen recordings, nearby ECM's artists often take a rain check to cover boundaries 'tween genres. ECM's motto court case "the principal beautiful boom next rap over the knuckles silence", bewitched from a 1971 regard of ECM releases groove Coda, a Canadian wind magazine.[1]
ECM has been spread in description U.S. harsh Warner Bros. Records, PolyGram Records, BMG, and, since 1999, General Music, say publicly successor short vacation PolyGram, universal. Its stamp album covers were profiled plod two books: Sleeves personal Desire squeeze Windfall Light, both accessible by Lars Müller.
History
[edit]The first ECM release produced by Manfred Scheffner was pianist Regular Waldron's 1969 recording Free at Last. The give a call went cabal to flee recordings disrespect many distinguishable jazz musicians, including Libber Bley, Keith Jarrett, Jan Garbarek, Incongruity Metheny, City Burton, Chicken Corea, Charlie Haden, Bathroom Abercrombie, Dave Liebman, Eberhard Weber, Egberto Gismonti, Dave Holland, Terje Rypdal, Stefano Bollani give orders to Ralph Occupier. The christen has additionally released recordings in depiction world penalisation genre toddler
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Blog Stats
“You have to be empty before you come to a recording,
and then start again.”
–Manfred Eicher
Some opportunities connect dots that have been in our vision for too long. Others make us realize that the lines are already drawn and have merely been waiting for our souls to catch up. The latter discovery is foremost on my mind as I touch down at Munich International Airport in the heart of winter. Like the landscape that distances my eyes from the city shuttle windows, it reveals the occasional thicket of trees, airbrushed and reassuring against the gray cloud cover. I have arrived in a strangely familiar place, have crossed more than a soft language barrier to make the pilgrimage for which all these years of listening have prepared me. Munich—and, more specifically, the record label nestled so modestly within it—has called to me, and I have answered. It’s the 10th of January, 2013.
Many things have lured me here. Foremost among them is ECM: A Cultural Archaeology. The once-in-a-lifetime exhibition, on display from 23 November 2012 through 10 February 2013 at the Haus der Kunst, represents an unprecedented consolidation of resources and archival materials, and pays due homage to the label’s worldwide influence. Said influence has been funneling dir