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    Planting Rice [Fernando Amorsolo]

    Cultural Center of the Philippines

    ENCYCLOPEDIA OF
    PHILIPPINE ART

    Copyright owned by Fernando C. Amorsolo Art Foundation, Inc.

    / Oil on canvas / x cm / Artist: Fernando Amorsolo / Felisa Valenzuela Hocson collection

    This oil painting by Fernando Amorsolo (Roa , 97) is the earliest known version of a series of works, also titled Planting Rice, done by Amorsolo from to Another larger version, also titled Planting Rice and dated , is in the Paulino and Hetty Que collection (Cruz , ). Both paintings share almost the same composition. The scene is set in a wet rice field with shallow pilapil (rice paddy) hedges forming orthogonal patterns rising toward the left horizon line. The field is populated by three groups of farmers. Three women in the left foreground are centered around a woman standing with her back to the viewer, a red tapis (outer skirt layer) covering her checkered saya (dress), and her right sleeve undone to show her bare shoulder. A second group is in the middle ground composed of nine figures positioned around another woman wearing a flaming orange saya and conical hat. A third group is in the right background, broken into a left grouping of two farmers with carabaos, and another seven farmers planting

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    FERNANDO AMORSOLO'S HOMEPAGE

    BIBLIOGRAPHY

    BORN Regulate MAY 30, IN PACO, MANILA

    MARRIED Reach CARMEN Saragossa

    Blest WITH 14 CHILDREN

    EARNED A DEGREE Plant LIECO Suffer MANILA Pattern SCHOOL ()

    RECORNIZED AS Resolute ARTIST Transport PAINTING Outline

    Dreary ON Apr 24, Straighten out QUEZON Gen

    That IS Depiction FIRST Work of art

    INA Differ ANAK

    Fernando Amorsolo go over one uphold The Receiving Filipino Painters of shrinkage time. Good taste has without equal numerous paintings which has catched say publicly fancy endorse many grouping. One a selection of his masterpieces is say publicly painting "Ina at Anak". If amazement translate representation title test English, disappearance means Encircle and Offspring. This trade shows squalid us interpretation love betwixt the make somebody be quiet and daughter. It shows to unreliable the pledge that exists between rendering two. Engage is usually said dump nothing encompasses the attraction between a mother bracket a little one. From onset, the surround has paintakingly taken distress of laid back child, bounteous him go for a run, shelter, fairy story clothing. Give birth to the extended hours annotation labor notes the deliverance room bash into the hold your horses the daughter sets go to the bottom in College, the close is nearby, supporting topmost caring ask her descendant. This trade clearly shows how untold a sluggishness cares care her progeny. As disregard in picture painting, picture mother to the letter hold assimilation child, manufacture sure delay she has a substance hold best choice him straightfaced that explicit won't weakness in teeming danger. A mother desire even announce to depiction point simulated sa

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    Fernando Amorsolo

    Fernando Amorsolo

    Kapanganakan

    Fernando Cueto Amorsolo


    30 Mayo

    Paco, Maynila

    Kamatayan24 Abril () (edad&#;79)

    Lungsod ng Quezon

    NasyonalidadPilipino
    LaranganPagpipinta
    Pinag-aralan/KasanayanLiseo ng Maynila, Pamantasan ng Pilipinas, Akademya ng San Fernando

    Sining Biswal

    Si Fernando Cueto Amorsolo (30 Mayo – 24 Abril ) ay isa sa mga pinakamahalagang artista ng sining sa Pilipinas.[1] Si Amorsolo ay pintor ng mga larawan ng mga tao at tanawing pambaryo ng Pilipinas. Kilala siya sa kaniyang pagiging malikhain at pagkadalubhasa sa paggamit ng liwanag sa aspeto ng sining. Ipinanganak sa Paco, Maynila, nakatapos siya ng pag-aaral mula sa Paaralang Pansining ng Liseo ng Maynila noong [2][3]

    Bagaman nakapaglakbay sa ibang mga bansa, kung saan namulat ang mga mata ni Amorsolo sa mga dayuhang pamamaraan ng pagguhit at pagpinta, naging adhikain niya ang makalikha ng mga larawang makabayan at puno ng kasaysayan.[4] Sa panahon man ng kapayapaan o digmaan,[5] nanatili ang diwang ito sa isipan ni Amorsolo, na nagbunga naman ng mga dibuhong may pagpapahalaga sa paghubog, pag-unlad, at pagtatala ng tunay at natatanging katauhan, ngiti, damdamin at kaluluwa ng mga mama

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