Vicki dasilva biography for kids
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The Pueblo Regional Film Commission embraces innovation and creativity in the arts. Light painting takes digital media to a whole new level with a powerful mixture of visual and performing arts. Recently they descended upon Pueblo and explored the spaces at Watertower Place in the heart of the historic Grove neighborhood.
One of our primary objectives at Watertower Place is to encourage and foster a destination where art and engineering flourish. Recently, Watertower Place hosted Colorado Light Painting which is the largest group of its kind in the USA. Photographers, models, and painters from around the state descended on the former meat packing plant and created some powerful work which is too hard to explain with words alone.
The Origin of Light Painting
Light painting (also called light drawing) dates back to 1889 when Étienne-Jules Marey and Georges Demeny traced human motion in the first known light painting Pathological Walk From in Front.
The technique was used in Frank Gilbreth's work with his wife Lillian Moller Gilbreth in 1914, when the pair used small lights and the open shutter of a camera to track the motion of manufacturing and clerical workers.
Man Ray, in his 1935 series "Space Writing," was the first known art photographer
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History
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Étienne-Jules Marey viewpoint Georges Demeny: Light Work of art 1889
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Vicki DaSilva
American photographer
Vicki DaSilva | |
|---|---|
| Born | c. 1960 |
| Nationality | American |
| Known for | Light art, graffiti |
| Notable work | Never Sorry, 'Art Takes Time Square' |
Vicki DaSilva (born c. 1960[1]) is an American light painter and graffiti artist.[2] She makes single frame time exposure photographs at night, which she terms ‘light graffiti’.[3]
Career
[edit]DaSilva moved to NYC in 1983[4] after receiving her BFA from Kutztown University of Pennsylvania, where she met Keith Haring, a Kutztown native.
She was heavily influenced by the convergence of street and graffiti art during the birth of hip-hop that created a lasting graffiti love affair with light replacing spray paint. Her exploration of light graffiti and light painting as a multi-disciplinary, time-based art form anchored in the photographic process continues to push boundaries of intervention art.
DaSilva did an internship and worked as an assistant for several years with video and performance artist Joan Jonas. Through Jonas she was introduced to many artists including Richard Serra, for whom she worked as a personal assistant throughout the 1980s.
Her first full-time job in NYC was as photographer Gary Schneider’s first darkroom as