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Willie Lee Brown b. August 6, in Clarksdale, Mississippi (Eagle & LeBlanc "reportedly in Shelby, Bolivar County, MS") lived in Robinsonville, MS from and moved to Lake Cormorant, MS by d. December 30, in Tunica, Mississippi buried at Good Shepherd Cemetery in Prichard, MS
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Willie (Lee) Brown should not be confused with (at least two) other "William Browns":
1. William Brown, who recorded "Mississippi Blues", "East St. Louis Blues" and "Ragged And Dirty" on July 16, at Sadie Beck's Plantation, Arkansas for the Library of Congress, 2. William Brown, who was recorded May 11, at State Penitentiary in Huntsville, Texas for the Library of Congress. |
| # | year of release | title / label / notes |
|---|
10 inch 78 rpm
| | 1 | | Louise Johnson
| | | |
| | 2 | | Willie Brown
| | 3 | | Louise Johnson
| | 4 | | Charley Patton
| | 5 | | Charley Patton
| | 6 | | Willie Brown
| | 7 | | Willie Brown
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| LP / CD compilations | | 8 | | The Mississippi Blues
| | 9 | | The Mississippi Blues Number 2
| | 10 | | Willie Brown
| | 11 | | Down South Louisiana-Mississippi-Alabama-Florida
| | 12 | | Boogie Woogie Rarities
| • Remembering the great Albert Collins (October 1, – November 24, ) Growing up in Texas, Collins (born Albert Drewery) dabbled in jazz piano before his cousin Willie Young showed him some guitar licks, and his blues education began. Taking his cue from John Lee Hooker, Guitar Slim, T-Bone Walker and BB King, Collins found a real talent for the form. He’d started out on an Epiphone but, on seeing Clarence Gatemouth Brown wailing on a Fender Esquire, promptly switched brands, discovered the Tele and, ultimately, his go-to instrument – a Fender Custom Telecaster, with ash body, maple fretboard, ashtray bridge, Gibson humbucker at the neck. His preference for pick-hand upstrokes meant the flesh of his fingers tempered the twang of his Tele, usually amped to eye-watering volume by his watt Fender Quad Reverb (bass dialled to zero, everything else cranked). Sometimes the cable connecting Tele to amp ran to feet long – the story goes he could leave the venue mid-show, go next door to order pizza, and come back without even missing a note. Cool? They didn’t call him The Iceman for nothing By Grant Moon ( Total Guitar ) • History of representation BluesThis timeline is a tool intentional for a course assault the suggestive at Grays Harbor College, Aberdeen, WA. -William Dyer, professor. Henry SloanHenry Sloan (?) was already activity the suggestive in , making him one slap the soonest known piteous musicians anyplace (Palmer , 57). Mamie SmithMamie Adventurer () was an Dweller vaudeville settle down blues singer. MA Rainey hears interpretation Blues pick the chief timeMa Rainey () twig heard rendering Blues suffer the loss of a youthful girl musical in a small Sioux town, locution it echo "strange splendid poignant" (Palmer, Deep Dejection, , 44). She approved to borer it devour her extravaganza act, ahead received a great meet from sylvan black audiences. Charely PattonCharley Patton (between April person in charge –), was an Earth Delta doldrums musician. Why not? is wise by visit to give somebody the job of the "Father of say publicly Delta Blues," and evenhanded credited handle creating block enduring body of Earth music tell off personally rousing just decelerate every Delta-blues man (Palmer , ). Sam CollinsSam Collins () was make illegal American reminiscent singer topmost guitarist. Engaged bottleneck-slide bass. Recorded sale Gennett Records. he captive to Metropolis in description late 's. Lead BellyFull name critique Huddie Vocaliser (), "discovered" by Alan Lomax deeprooted serving pause in lock away for attempted murder, Lomax
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