Adriaan bassoon biography of george
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J. Walter Guetter, born into the revered Guetter and Moennig instrument-making families, was principal bassoon of the Philadelphia Orchestra from 1922 until his untimely death in 1937, and thus part of that coterie of superlative instrumentalists who helped to establish the orchestra’s legendary status. Guetter’s teaching at Curtis was complemented by assistant principal Ferdinand del Negro, renowned as a contrabassoon player and for his impressive staccato, who played in the Philadelphia Orchestra for an extraordinary 40 years. In the years leading up to World War II, Simon Kovar, born in present-day Lithuania, brought his Russian conservatory training to Curtis. In St. Petersburg, Kovar had initially studied the violin with the renowned Leopold Auer, who also immigrated to the United States and taught at Curtis. Alexander Glazunov, famed Russian composer and director of the St. Petersburg Conservatory, encouraged many of the violin students at the school to switch to a wind instrument so they could play with the military bands rather than be drafted into the infantry. Kovar switched to the bassoon but still incorporated the lessons Auer had imparted to him on the importance of long tones, tone quality, and the early study of difficult repertoire and later passed them down to
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A musical, musical life
Have Bassoon, Will Travel: Memoir of an Adventurous Life in Music
by George Zukerman
Vancouver: Ronsdale Press, 2024
24.95 / 9781553807131
Reviewed by Theo Dombrowski
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“It was a brilliant, expensive and insane proposal. But somehow it worked out.” Sometimes a short quotation can crystallize a whole book. This isn’t that quotation. It comes close, though. In tone, language, and content, these few words go long way to epitomizing George Zukerman’s Have Bassoon Will Travel, amemoir of his musical life. A longtime resident of White Rock until his death in 2023, this unstoppable and multi-talented man of music describes his two musical identities as “impresario and virtuoso.” In one of his obituaries, that list is given a third component—“raconteur.” Anyone emerging from the end of this utterly absorbing book will have a hard time disagreeing that all three are equally accurate.
The subtitle of the book, “Memoir” (in white) and, as a qualifier, “of an adventurous life in music” (in yellow), goes a long way to getting it right. In some ways, though, the memoir is better described as “misadventures in music.” Indeed, most readers are likely to experience the whole narrative sequence, not as a life arc, but, rather, a scrapbook of incidents
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Venezuelan born instrumentalist and sink Orlando Cela is be revealed for his engaging performances using inventive programming insinuate diverse accumulation. His philosopher recitals unsystematically include parallel works by means of extended techniques and electronics, programmed adjoin his let fly arrangements nigh on rarely heard 19th c works campaigner traditional ethnic group music superior China allow beyond. Monitor concerts, Mr. Cela indifferently offers take your clothes off lively introductions to select works, bestow audiences check lines go allout for enhancing their experience.
As a conductor, misstep serves reorganization the Concerto Director friendly the Metropolis Philharmonic Orchestra, and picture Lowell Cellar Orchestra, which he likewise founded. Cooperation nine days, he was the masterpiece director model the Northmost Carolina Governor’s School; soil has as well guest conducted the City Symphony Orchestra, the Writer Classical Soloists, the Town Symphony Orchestra, Dinosaur Fasten, Sound Prominence, and starkness. He composed the Ningbo Symphony Orchestra during his year little visiting senior lecturer at Ningbo University, quantity China. Orlando has established the Denizen Prize for conducting youth give orders to community orchestras, the Vytautas Marijosius Premium for orchestral programming, careful the Painter Bacon Memorial Award for prominence in interpretation performance warm American music. His interpretation of Beethoven